Where I’m From
Trudging towards gemstones of the night, tugging at chains from my mind
Left to wrestle with sludge of my head, clock dripping oppression.
Raging against the pace of thought that leaves me at this hour
In a room of dour silence, sour air, staring through glass
The page stays white.
This double springed mattress is a siren. The seductress beckons.
Time wasted and days squandered bubble up as shaken pop
A lone mark creeps onto the page, a slender figure in the white, surfacing after the storm
The dam breaks; I revel in electric freedom.
Desk shaking with force of my fingers, the page is not white anymore.
Here, I ponder.
The sound sings glorious, robust projection filling the space
Where I come to relieve my weights, translate my soul into sound
A language of my own.
Fingers type out sonic correspondence to my father, mother and myself
Flow through portals open on the walls and door frames
(Can the curious calico cat who comes close hear the melody?)
I own two horns. One ugly, and the other uglier.
Lacquer scraped off, teeming with brick red rot (vintage, not old)
“The Pretty Lady” and “The Ugly Lady” both in plastic sarcophagi
Until I take them to waltz, a dance of rhythms that will come alive and forgotten the next day.
Here, I paint.
When the page is full, when the sound goes silent
When I tire of day, when I tire of night
When the length of the shadow grows in the light
I come here.